C-Ya,
Winston...
>From list-relay@mlist.ucsd.edu Mon Apr 13 19:11:28 1998
>Received: from mailbox1.ucsd.edu (mailbox1.ucsd.edu [132.239.1.53]) by 
mlist.ucsd.edu (8.8.8/8.6.9) with ESMTP id SAA16083 for 
<acid-jazz@mlist.ucsd.edu>; Mon, 13 Apr 1998 18:42:50 -0700 (PDT)
>Received: from bretweir.total.net (bretweir.total.net 
[205.236.175.106]) by mailbox1.ucsd.edu (8.8.8/8.6.9) with ESMTP id 
SAA08028 for <acid-jazz@ucsd.edu>; Mon, 13 Apr 1998 18:42:44 -0700 (PDT)
>Received: from sampennacchio (ppp-51x2-0746.mtl.total.net 
[207.139.77.204])
>	by bretweir.total.net (8.8.7/8.8.5) with SMTP id VAA02799;
>	Mon, 13 Apr 1998 21:42:41 -0400 (EDT)
>Reply-To: "Stimpson" <stimpson@total.net>
>From: "Stimpson" <stimpson@total.net>
>To: <acid-jazz@ucsd.edu>, "carl schimmel" <carl.schimmel@yale.edu>
>Subject: Re: AJ LANDMARKS SINCE LATE 80'S
>Date: Mon, 13 Apr 1998 21:41:24 -0400
>Message-ID: <01bd6746$6f296f40$cc4d8bcf@sampennacchio>
>MIME-Version: 1.0
>Content-Type: text/plain;
>	charset="iso-8859-1"
>Content-Transfer-Encoding: 7bit
>X-Priority: 3
>X-MSMail-Priority: Normal
>X-Mailer: Microsoft Outlook Express 4.71.1712.3
>X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3
>
>    For the record, US3's "Cantaloop", was taken almost entirely from 
Donald
>Byrd's "Cantaloupe Island" (recorded back in '64), very much like Puff
>Daddy's "I'll be missing you" is taken almost completely from The 
Police's
>"Every Breath You Take".  But sure, I think that you can name a few 
landmark
>records that reincarnated the whole genre.   Here's my list of AJ 
landmarks:
>
>1)Tribe Called Quest-People's Instinctive Travels and the Paths of 
Rhythym-
>some will argue that this is more a rap record than an AJ record, but 
anyone
>who knows Tribe will agree that they were one of the first rap acts to 
use
>jazz samples very heavily
>
>2)Miles Davis- Doo Bop; TOTALLY rocked my world back in '93.  Too bad 
Miles
>died before the record was finished; he would have been proud.
>
>3)Digable Planets- Reachin' (a new refutation of time and space).  
Still my
>favorite acid-jazz record
>
>4)Guru- Jazzmatazz volume 1-  featured many old jazz-funk musicians 
like Roy
>Ayers, Donald Byrd and Lonnie Liston Smith.  N'Dea Davenport even sings 
on
>one tune.
>
>5)The early "Rebirth Of Cool" series-  The first compilation of 
acid-jazz to
>be widely distributed.  Turned alot of people on to AJ for the first 
time.
>
>6)Massive Attack- Blue Lines (nuff said)
>
>7)Early Brand New Heavies-  Definitely helped define the sound
>
>8)Early Incognito- Ditto
>
>9)Early James Taylor Quartet- helped revive the Hammond/B3/Moog sound 
and
>had people digging out their parent's old Jimmy McGriff and Herbie 
Hancock
>records
>
>10)Us3-Hand On The Torch-  Cantaloop (flip fantasia) is probably the 
first
>AJ tune to be widely recognized.  Sold millions
>
>
>
>Keep Bumpin'
>
>Stimpson
>
>-----Original Message-----
>From: carl schimmel <carl.schimmel@yale.edu>
>To: acid-jazz@ucsd.edu <acid-jazz@ucsd.edu>
>Date: Sunday, April 12, 1998 6:46 PM
>Subject: AJ LANDMARKS SINCE LATE 80'S
>
>
>>I'm curious to see what bands/tracks people consider to be "landmarks" 
in
>>the "acid jazz" "movement" since the term was coined.  Might the first
>>somewhat-acid-jazz mainstream popular hit be Cantaloop (Flip Fantasia) 
by
>>Us3?  Here I'm assuming I guess that this could even be termed "acid 
jazz."
>> Maybe the fact that AJ isn't so mainstream means that there aren't 
really
>>as many recognizable landmarks as there might be in, say, rap.  Is AJ
>>becoming more drum 'n bass influenced and less funk influenced? If so 
what
>>major artists or tracks could be considered responsible for/examples 
of
>>this?  I'd like to get a better idea of AJ's recent history, and maybe
>>charting it with "landmarks" would be a good method.
>>
>>-carl
>>
>>
>
>
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com