Lewis II

From: Harry Marquez (organiccompound@hotmail.com)
Date: Tue Nov 14 2000 - 04:04:25 MET

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    I know some of you out there have this album. So, what's the general
    consensus? Enough time has passed since this album has been released. It's
    time for reviews!

    Like someone else on the list once said, I am listening to LEWIS II enough
    times to risk getting burned out on it. I think the album is amazing, with
    enough sonic playfulness to keep me entertained until Lewis Taylor decides
    to release more new material (hopefully it won't take 4 more years).
    "Party," the opening track, is a surprise the first time you hear it, as it
    takes cues from the solid funk Mr. Taylor displays on the b-side "Got Me
    Thinking All About It," from the "Lucky" single. My favourite track (as I
    understand, the track Mr. Taylor wants to be the single) is easily "You Make
    Me Wanna." Starting with a deliciously wicked bassline, it delivers an
    amazing sense of soulful tension until the drums kick in, and then the
    chorus jumps into an emphatic bridge... very cool stuff. The next song,
    "The Way You Done Me," is the one that still mystifies me since it breaks
    away from standard pop syncopation and the whole concept of 4/4 time. If
    anyone can tell me what the time signature of this song is, I'd be very
    appreciative. The song otherwise reminds me of a more aggressive version of
    his first album's "Whoever." The track "Never Be My Woman," for whatever
    reason, sounds an awful lot like something that could have come from
    D'Angelo's last album, stripped down and bluesy yet quirky (those
    slightly-off-rhythm vocals). I also really liked "I'm On The Floor" and
    "Lewis II." I have the Japanese import version of the CD, and it contains
    TWO bonus tracks: a cover of Jeff Buckley's "Everybody Here Wants You"
    (which I have a tendency to skip over) and a cover of Jimi Hendrix's
    "Electric Ladyland" (very Muzak sounding -- seemingly too clean & too
    straight ahead for a proper Hendrix cover, but it succeeds in its lush
    production quality and harmonies).

    Anyone else have any opinions? Does anyone know if this is going to get
    pressed on vinyl?

    Peace,
    Ha
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