> However I like funky music very well, I can't really play that kind of music
> well on my keyboard. In the past I played much rock & blues music with
> always a lot of improvisation. Now, I'm looking for acid-jazz & funk
> education on the Net. Has somebody some goed texts about "how to play
> funk or acid-jazz" or is there somebody who know intresting sites on
> the net? Suggestions are very welcom!!! I'm also looking for good, groove
> MIDI files.
>
> Are there other acid-jazz of funk piano players here on this list?
Hi Hans -
I sing and play keyboards for an acid jazz band here in Los Angeles, USA
called JIBE. I'm more of a rhythm player; I don't consider myself too
much of a soloist (but if I come across the right Hammond Organ patch I
can be inspired to rip!) so basically I'm happy comping, either while I'm
singing or when the sax/flute player takes lead.
There are no rules, only guidelines. I suggest:
* Stick to the 7ths, 9ths, 11ths 13ths chords, both major and minor. You
can't go wrong.
* Learn the inversions, so you don't move around too much, besides they
sound nicer.
* Simple major or minor triads are a NO-NO! :)
* When playing or composing, don't go overboard with chord
changes. You'll end up sounding like fusion.
* When choosing sounds from a synth (or using the real thing), generally
acid-jazz keyboardists stick to Fender Rhodes, Wurlitzer, Acoustic Piano,
Clav and Hammond Organ. Also suggested are thin analog string
sounds and fat screaming analog lead sounds with lots of
portamento (Think Kool & The Gang's "Summer Madness"). Unless it really
works, stay away from those fawaz new-agey digital pads found in those
Korg or Roland things. You'll end up sounding like fusion.
(It might work if you do some Trip-Hop type material, though.)
* Don't show off too much. Lay back and be part of the mix. Even when
soloing. You will be more appreciated. (who are you there to impress,
other keyboardists or other musicians? It
better be the latter, since those are who you'd be most likely be
working with.) Besides, if you wank off too much, yes, you'll end up
sounding like fusion.
* Leave lots of frequency range space (i.e. don't play in the same octave
as your guitarist or 2nd keyboardist!)
* Also, be a good sport. The acid jazz scene, and jazz music in general, is
more of a brotherhood, a fellowship. Give respect to those who
are better than you and support to those that aren't. Unlike rock music,
where people have the "I can do better than that" attitude, we're part
of the same vibe, the same groove, it's all good.
Elson
-30-
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Elson Trinidad, Los Angeles, CA * elson@westworld.com
http://www.westworld.com/~elson
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JIBE - Get on up - let your body slide
JIBE - Get on down - make you feel good inside
JIBE - Get on up - let the rhythm put you out of control
JIBE - Get on down - Cos I know you got the soul