I've rambled enough now. If you haven't heard old Jackie Gleason
records, you should, then you'll know what I mean.
I've always had an affinity for the old stuff (I actually like Herb
Alpert & TJ Brass), because I grew up with that stuff. How anybody
that grew up on Depeche Mode would view lounge? I don't know.
-Derek
1997, Sean
Silcoff wrote:
> So, onto the next subject...
>
> When we heard lounge was coming back, I think we all had a bit of a giggle.
> Then cigars popped up, people started downing Crantinis (blechh) and
> listening to Esquivel and Sammy Davis Jr. and newcomers like Combustible
> Edison. Listening to lots and lots and lots of this stuff. Nobody seems to
> take it very seriously, or actually think the music is very good, which
> gives its return (on the downward arc, now, I think, in terms of currency) a
> decidedly transient feel. So, a question for you, some of the finest and
> sharpest music fans in the world: Does "lounge" music have any socially or
> musically redeeming values? Is it music, and so, what type of music, in the
> sociological sense? Or is it strictly part of the scene, accessorized music
> to go along with your cocktail dresses, foxfur scarves and slicked back
> hair? Social commentary (yeah right)? Fun to listen to?
>
> Next question...Is trip hop music just accessorized background noise to go
> along with hanging out in a veeeeery laid back barn full of wigged out young
> people? Most of it seems to go nowhere, slowly, without a point or melody
> but with a roomful of mood. Kind of like the Grateful Dead, minus the
> instruments and melodies.
>
> Just an attempted incitement to get us off this name game thing.
>
> Sean
>
>
Derek Tarr Productions
dtprod@connectnet.com
http://www2.connectnet.com/users/dtprod