Re: the lasting charm of house

From: aspeitia axel arturo barcelo (abarcelo@indiana.edu)
Date: Tue May 16 2000 - 06:52:27 MET DST

  • Next message: Leslie Shill: "Re: the lasting charm of house"

    I have also been listening (and buying back) a lot of early house: Todd
    Terry, D-Mob, Kevin Saunderson, S'Express, Beatmasters, 808 estate, Farley
    Jackmaster Flash, etc. However, I disagree with you. Most of it does not
    stand well the sense of time. I love it because of both its nostalgic
    value and because there were a lot of ideas latent there which remain to
    be fully exploded in electronic music. Most of their then original ideas
    have been developed to such levels that they sound dated, but there is
    still some stuff that you can see pointing in a direction that none or few
    picked up later. I have always been very interested in the origins of
    styles because of their rawness, and a lot of that stuff is so raw, it has
    an extra force that is lacking in a lot of new releases.

    -axel

    PS: But A Guy Called Gerald's 'Voodoo Ray' can still raise lots of
    eyebrows!!!!!!!!!!

    On Mon, 15 May 2000, Marco Baroni wrote:

    > In the rare moments in which I am not enjoying Mellow Mellow, I have been
    > listening to some old house music -- Mr. Fingers, Inner City, Joe Smooth. I
    > was surprised by how well early house music stood the test of time. Better,
    > I would say, than later, more ambitious kinds of electronic/dance music
    > (techno, drum'n'bass, downtempo...) Does anybody else agree with this
    > intuition? If you do, do you have a theory about it? Is it because house
    > music (via the disco connection?) is closer to the eternal soul/funk roots?
    > Or is it something about the four-on-the-floor beat? Or is it just an
    > impression due to the fact that house is trendy again thanks to labels like
    > Nuphonic?
    >
    > Regards,
    >
    > Marco
    >
    >
    >

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