Dear list: yeah ! when Heard PE "night of the living bassheads" i was like
:"wow! thats some tour de force of sampling. Those weird horns,the guitar
lines(, that squealing sax....Surely no one with any training could !"come
up with that,Then i heard the J.B's song "The grunt". Yes,Pe added some
flown in samples and maybe some drums and sound fx but the truly weirdstuff
was from the original! Which proves that james brown was a nut!! He
actually wrote those horn charts!!!
>From: BARONI@humnet.ucla.edu
>To: elson@westworld.com, acid-jazz@ucsd.edu
>Subject: sampling (Re: Basement Jaxx sample ID)
>Date: Mon, 29 May 2000 22:03:18 PST
>
> >Is it just me, or do you feel disappointed when you learn a particular
> >groove/riff/bassline has been a sample all along?
>
>It depends: sometimes, I am very impressed and fascinated because the
>sample has been recycled in a way in which, even if it is still fully
>recognizable, makes it sound very different, in terms of mood. An
>example of this, for me, is how Portishead used Isaac Hayes' Ike's Mood
>1 in Glory Box. Other times, I feel very disappointed, and that the
>sampling was almost a form of plagiarism. For example, Lately used to be
>one of my favorite Massive Attack's songs until I heard Lowrell's Mellow
>Mellow Right On...
>
>Regards,
>
>Marco
>
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