I have to agree with all the responses I have seen and read about the Mora
disc, and also Programmed for that matter, a couple of killa tracks and the
rest pretty bland-like. I loved Bug In The Bassbin when I first heard it but
this later stuff has a very regurgitated feel to it, nothing groundbreaking
or really new idea wise. I am at a loss to understand why Carl Craig is into
this except to say that like many of his generation he has discovered the
cred of jazz
leslie/The Power of Sound
----- Original Message -----
From: <philipm@isd.canberra.edu.au>
To: Jason Martin <suenomartino@telstra.com>
Cc: <acid-jazz@ucsd.edu>
Sent: Tuesday, October 10, 2000 8:43 PM
Subject: RE: francisco mora / jazz stuff
>
> On Wed, 11 Oct 2000, Jason Martin wrote:
>
> > I guess carl's more recent trip has been of the jazz ilk, although
> > 'programmed' as an lp was a bit lacking IMO. Some of it sounded like
chick
> > corea circa 73(but not as good). Maybe it adds cred to the label? dont
> > know..
>
> word. programmed didn't do much for me either except a couple traxx esp.
> 'blakula' which is ace. cred? by releasing this kinda stuff? only from ppl
> who would probably have a shallow & stereotypical idea of 'jazz' being
> cool'...not exactly the kind of audience who'll stick by an artist into
> truly original & creative stuff methinks.
>
> p-dogg
>
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