Re: Molvaer in Jazz Times

From: Wm. ERROL PACE (wm_errol_pace@hotmail.com)
Date: Sat Jun 23 2001 - 23:54:34 CEST

  • Next message: Wm. ERROL PACE: "Re: Molvaer in Jazz Times (fwd)"

    Steve and Tempo of the Down,

    There was a special section of that Molvaer interview where they pretty much
    said if you like Molvaer you check out these folks, Got that list? Hook me
    up. BTW Terje Rypdal ROCKS!!! I just love that sonic abandonment on ECM.
    I understand completely what he is referring to when it comes to Johnny
    Cash. Give me a holler and Happy Trails!!!

    Semper Motociclismo,

    Pace'

    Can't give up my jazztimes with Miles on the cover (sorry Pace) but for
    those interested in the NP Molvaer feature, here are some of the highlights,
    in his own words;

    "Basically, American jazz has become not very interesting. There are a lot
    of good players, but are they forced to play that way? I don't know. But for
    me, personally I like Johnny Cash better than I do Wynton Marsalis. He's a
    great player but he doesn't move me. Johnny Cash moves me, you know what I
    mean?"

    "I like the minimalistic grooves of European House, very trancey which you
    can easily relate to African music. I work with delays to make the rhythm
    float, so to speak. Some of the off-beats in rhythms like 7/8 and 9/16 have
    roots in an old tradition of ethnic music which I try to relate to the year
    2001."

    "I was listening to a lot of different stuff from Brian Eno to Jon Hassell
    to Bill Laswell and when it came time to go out on my own I wanted to mix
    all these ideas."

    "Norway is a very interesting scene. There are so many things happening. It
    is not so hooked up to mainstream jazz like our close neighbors Sweden and
    Denmark. a lot of great American jazz musicians took up residence in both
    Sweden and Denmark and developed a very strong mainstream jazz scene there
    but in Norway nobody came because its cold and rocky!

    In Norway, it's a different tradition. It started out with Manfred Eicher of
    ECM records developing the careers of people like Jan Garbarak, Terje
    Rypdal, Jon Chrsistensen, Arlid Andersen. So these people are our starting
    point. Musicians who are known to experiment - our base is a different one
    to the rest of Europe."

    "It's luck. It's being in the right place at the right time. There are so
    many factors and I have been fortunate they happened all at once for me."

    ************

    There is also an insert on European nu jazz that talks about tried and true
    aj list favorites Bugge Wesseltoft and the Jazzland label, St. Germain, and
    Erik Truffaz, but also mentions 2 names I haven't heard discussed here;

    Tenor saxophonist Julien Lorau has an album called Gambit on Warner France,
    mixing the tried and tested with urban tribal rhythms of the future.

    Pianist Laurent de Wilde, a well conceived update of hard bop (Horace
    Silver's funky metier) that shows how the new rhythms inspire soloists...

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