Re: [acid-jazz] 21st century urban music observation.

From: Olaf Molenveld (olaf@interactivelink.nl)
Date: Wed Aug 21 2002 - 11:56:06 CEST

  • Next message: heikki@enalahyysalo.fi: "Re: [acid-jazz] 21st century urban music observation."

    the masses don't care about good or bad music, they just want simple stuff
    they recognise..... it should not become a aim to become
    mainstream.......just keep on making good music for the peeps who want to
    find it and appreciate it...let the masses rot

    Olaf

    ----- Original Message -----
    From: MANUEL MARTINEZ, FOR RICK MARTINEZ <djessential@msn.com>
    To: <acid-jazz@ucsd.edu>
    Sent: Wednesday, August 21, 2002 11:34 AM
    Subject: [acid-jazz] 21st century urban music observation.

    I usually don't write these type of rant emails, but I've gotta let this
    out!!!!!!!! I've been djing for 10 years, now. I started when Hip hop was at
    it's prime with great records by A Tribe Called Quest, De La Soul, Jungle
    Brothers, Brand Nubian, Digable Planets, Black Sheep, Main Source, Pete Rock
    & C.L. Smooth, Gangstarr, and Common Sense. Now, only Common and De La Soul
    is still around to only minor success. What is shoved down people's throats
    on the radio, tv, and commercials is bullsh*t like Nelly, Ja Rule, Cash
    Money allstars, Jay-Z, Ludacris, P. Diddy, DMX, and R&B/ Hip Hop crossovers
    Jagged Edge, J- Lo, Ashanti, Eve, etc. It's makes sick and saddened by the
    state of so- called urban music. The only thing saving it is stuff like Jill
    Scott, Erykah Badu, MusiQ SoulChild, Bilal, Maxwell, Dwele, Bahamadia,
    usually gets lost in the shuffle. Underground hip hop acts like Jurassic 5,
    Mosef, Talib Kweli, Slum Village, Quannum, Solesides/ Blackalicious, People
    under the stairs, Def Jux artists, still plug away trying to make obscure
    beats and frenetic rhymes never getting the respect they deserve. Black
    music (jazz, soul, and funk) of 60's & 70's had purpose which were either
    political, conciousness, spirituality, and just GOOD VIBES. What happened to
    the SOUL in the U.S. I hear more in house artists like Osunlade, MAW, Blaze,
    Roy Davis Jr., Chriss Brann/Ananda Project/ P'taah, Basement Boys/ Charles
    Dockins, Maurice Fulton, Moodymann, Theo Parrish, Kevin Yost, Joe Claussell,
    Danny Krivit, and Mateo & Matos.

      In the U.K., Drum & Bass and UK Garage has continued to keep urban music
    on the streets, but there is crap like So Solid Crew, Heartless crew, Pay as
    you go crews that rip off the bling bling materialistic aspects and guntalk
    popularised by US rap groups. Drum & bass has seen some great lp's like
    Newforms (Roni Size's Reprazent), Colours (Adam F.), John B., and Hospital
    artists like High Contrast and Danny Byrd. Some great 2-step/ Garage has
    been filtering through like Tempa/ Shelflife/ Texture/ Hospital/ Locked On/
    Sirkus, artists like Horsepower, Nude, El-B, Zed Bias/ Maddslinky/
    Phuturistix, Landslide, Roxy, Darqwan, J da Flex, etc. But it's only the
    crap dominating all three scenes.

    It's been great that both Nu- jazz and Broken beat have been putting out
    equally amazing records since '97, (when the Acid Jazz scenes ran out of
    gas). Artists like 4 Hero, King Britt, Jazzanova, Truby Trio, United Future
    Organization, Kruder & Dorfmeister have continued to reinvent themselves to
    exciting brand new music. There's been some brilliant cross pollenization
    from the Broken Beat and 2-step scenes to much success like
    Phuturistix/Maddslinky, Landslide, KV5, Sequel, Soul Electric, Zest, Cousin
    Cockroach, Seiji, Afronaught's "Shapin' Fluid", New Sector Movement's "The
    Sun", I.G. Culture's mix of Julie Dexter's of "The Plan", and even
    Jazzanova's remix of Incognito's Get into my groove.
    You can see what I mean.

    But, I really hope we can change the music formats on Radio & TV. We sure
    had agood thing going with internet radio. Nu-jazz/ Broken beat was
    definitely on the ball with that one until those ridiculous copyright laws
    took over, messing up internet radio in the U.S.
    Great shows like On the corner, Beta Lounge, Soul Rebel Radio, Broke & Beat
    radio, SoulStrut, Dublab, Flaresound, KCRW's Chocolate City & Blueprint,
    were good doses of U.S. soulful intenet radio

    Now, people Jazzanova, Vikter Duplaix, 4 hero, our ready for serious
    mainstream domination. Let's hope the people are ready for intelligent
    SOULFUL music.

    Anyone else have comments on 21st century urban music?????

    dj essential.



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