Re: Why DJing is headrushingly beautiful in 2000

From: stephanie (nnine@yahoo.com)
Date: Wed Apr 12 2000 - 23:16:46 MET DST

  • Next message: Elson Trinidad: "Pronounciations, The Sequel"

    What are you talking about, cranky old man??? Yeah,
    there's a bigger bulk of dj crap replacing guitar rock
    crap of ten years ago, but do the math and you'll find
    that the lean, mean creative underbelly is
    proportionally larger as well.

    It is always harder to find challenging stuff than top
    forties, in music, film, tv, books, etc... the
    proportion of crap to excellence never changes, but
    the flourishing electronic scene means there is more
    room in the tucked away corners for the
    faithful/vigilant to come out and play. And as always,
    the search makes the reward more delicious. The only
    time for woe and confusion is between breakthroughs
    when people are kind of standing around waiting for
    something to happen. Ignore the crap, keep finding the
    good stuff, and stay focused on the abundance of
    beauty happening RIGHT NOW. We are so lucky, and my
    record collection is proof. =) It's the year 2000:
    unforeseen possibilities, tiny differentials yet
    unturned... We've never been here before, gotta think
    positive.

    (Ok, I admit I've been listening to Grupo Batuque
    "Between The Lines" a lot this past week, with lyrics
    like "Life is yours, it's a gift"...turning me into a
    damn hippy ;P )

    On a similar note...Last night I pulled out a Seiji
    record on reinforced from like '97 or so (hard, dark,
    busy, mechanistic dnb) and compared it with a Seiji on
    2000 Black or one of those, the new "Question It"
    single, a Neon Phusion-ish thing with that
    african-sounding chant-singing in it...The 2 records
    are radically differently beautiful. What a joy to
    watch musicians grow and change like that. They are
    the same person, right?

    --- Giles Walker <gileswalker@hotmail.com> wrote:
    > After Reading the rules for dj's/producers I thought
    > I would comment on the
    > dj aspect of it. I think because there is so much
    > dance music in the charts
    > and all the dj's are big stars it makes it harder to
    > find clubs that play
    > quality dance music that sounds like someone has put
    > some soul into making.
    > The majority of people don't enjoy hearing music
    > that they don't know and
    > even in the underground clubs people will cheer and
    > fill the dance floor
    > when Eminem, The Beastie Boys or Basement Jaxx are
    > played. Its a shame
    > because djing used to be about finding records that
    > no one else had and
    > building your own classics. The big name guys never
    > seem to stray to far
    > from the obvious. I'm not saying there aren't any
    > decent dj's and clubs,
    > left i'm just saying its a shame they are in such a
    > minority.
    >
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