Music Groove | Beautifully Descriptive Review of MJ Cole

From: Takuya (wesleyhongkong@earthlink.net)
Date: Thu Apr 12 2001 - 23:24:03 CEST

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            Music Groove | Beautifully Descriptive Review of MJ Cole
                                    ********

      I came across an excellent review of 'Sincere' which also happens to
         have some beautifully descriptive impressions of each 'Sincere'
      composition. A beautiful and faultless review from Lunar Magazine.
                                Check it below.

    And also pasted the tracklisting of the Japan version of 'Sincere' which
     has 2 extra rare tracks appended at album's end (18 tracks, compared to
                    16 on UK release, & comes with the obi).

                                     wesley
                      ------------------------------------

    from LunarMagazine
    [Image]
    MJ Cole Sincere

    by Sterling McGarvey

    One of the first superstars to break out of the relatively new genre of
    2-Step/UK Garage is Mr. Matthew James Coleman. Most of us know him as MJ
    Cole. He has been producing tracks for quite some time, but his biggest
    breakout hit is the seminal anthem "Sincere," a track that has been
    remixed ad nauseum in the three years since its release. His album, of
    the same title, is certainly just as powerful and influential as the
    single.

    "Sincere" is one of those albums that goes alongside Goldie's "Timeless"
    or Roni Size's "New Forms" as a primer CD for someone who's curious
    about a genre of music that's new to them. I would absolutely recommend
    this album to anyone who's got even the slightest hunch of interest in
    2-Step. However, those who lack any discernible Soul need not apply.

    What is especially interesting is that like his labelmate, Roni Size, MJ
    has a very distinctive sounding style to what he does. The way that he
    sets up his drum sequences is extremely distinguishable, much like Mr.
    Size's unmistakable emphasis on the drums in Drum n' Bass. One can hear
    an MJ Cole remix or original track and detect his production from
    certain indicators, such as the aforementioned drum patterns and his
    penchant for using synthesized string plucks.

    The introduction is like a warped mish-mash of piano loops and samples
    from "Sincere" slowed down over a rugged bassline. It leads quite nicely
    into the second track, "Tired Games," featuring Elizabeth Troy, who does
    the vocals on many of "Sincere's" 16 tracks. The stop-and-start guitar
    of "Tired Games" might make you pause upon first listen. Rest assured,
    there is nothing wrong with your speakers. There is nothing wrong with
    your CD player. You will know once you hear the drum kicks creep up and
    jump right in. More vocal madness ensues with "Attitude." "Bandolero
    Desperado" boasts the MCing talents of Garage vocalist Danny Vicious.
    While many people tout the track as one of their favorites on the album,
    the piano-looping intro to the track is so well-crafted that the
    remainder of the track feels like it's just downhill from there.
    Literally, the first thirty seconds of this track are so incredibly
    slamming that the moment the beat changes, the track has lost me. Now,
    the next track, "MJ FM Interlude," is rather interesting, as the track
    simulates a pirate radio station in London, complete with phone calls,
    shout outs and MJ's second single, "Crazy Love" played in snippets as
    Danny Vicious busts a flow to finish out the interlude and lead into the
    masterful track..."Crazy Love."

    If you haven't heard it, "Crazy Love" sounds like one of the major
    tracks with major crossover appeal in the States. Complete with the
    trademark string plucking, percussion and vocals from Elizabeth Troy,
    any "Urban" radio DJ could slyly sneak this one into the playlists and
    get some buzz from it. "You're Mine" is a track with just the right
    vibe. It sounds like the soundtrack to a warm Sunday afternoon at the
    park. "Sanctuary" is another vocal track with some bounce to it. It's
    better than album filler, but it doesn't stand out against the power of
    some of the other songs on the CD.

    "I See" is a break (no pun intended) from the uptempo pace of the rest
    of the album. It feels like an Anglicized version of a Timbaland track.
    It is markedly the slowest song on the album. The slowness is merely a
    blip on the radar as one of the most well-known 2-Step tracks ever
    produced fires up. The funny thing about "Sincere" is that one must hear
    it on a good sound system to pick up a lot of the strange little
    cadences of the track. The difference between hearing the weird backward
    vocal inflections on headphones or dinky computer speakers and hearing
    them on a nice stereo system makes all the difference.

    "Strung Out" is a very moody orchestral track. It feels very warm, then
    chilly at sudden points. The strings add a very nice touch to the track
    though. "Rough Out Here" features the vocals of Guy Simone, who sounds
    like he's channeling the spirits of Al Green and Luther Vandross at the
    same time. "Slum King" just sounds like a rough, rugged peak hour track.
    From its uptempo intro to the hard, rolling bassline, this one is
    designed to replace asses on chairs with coats and purses.

    "Radio Interlude" sounds like someone flipping back and forth between
    garage on the radio and Afro-Brazilian sounds one would hear during
    Gilles Peterson's mix shows on Radio 1 in London. Elements of all of the
    sounds on the radio dial meld into one solid vocal track that leads out
    into MJ's third commercial single, "Hold On To Me." It is a track that
    is on par with the sounds of "Crazy Love" and "Sincere" in that it has a
    hell of a lot of commercial appeal to it. However, commercial certainly
    does not equate with bubble gum pop in this case. The production is
    butter smooth as the drums skip along. One of the biggest highlights of
    the album is the final track, "Free My Mind." Simone's vocals serenade
    over a track that is gorgeous, for lack of a more descriptive term. It's
    not a dancefloor mover, but it is definitely a track that sounds
    fantastic, makes a great wind-down, and leaves one feeling very
    satisfied with the purchase.

    Many will argue that 2-Step/UK Garage is a shallow, one-dimensional
    genre that will fade like overchewed gum. However, albums like "Sincere"
    go to prove that UK Garage is more than a fad. The level of
    craftsmanship that lends itself to this production puts it leagues above
    any derision. Purchase "Sincere." It might be a bold statement, but this
    is the equivalent of "New Forms" for the genre. We can only wait and see
    if the Garage craze comes ashore to the States as it has in Europe.

    JPN printing of 'Sincere'
    Introduction
    Tired Games
    Attitude
    Bandelero Desperado
    MJ FM Interlude
    Crazy Love
    You're Mine
    Sanctuary
    I See
    Sincere
    Strung Out
    Rough Out Here
    Radio Interlude
    Slum King
    Hold On To Me
    Free My Mind
    Give Me Back My Love
    Guilty

    --
    wesley
         +
    Monday Michiru  |
    http://www.fujiint.co.jp/FACTORY/LOT0021/sunshine-v.ram
    Nikka Costa  |
    http://kcrw.com/cgi-bin/ram_wrap.cgi?/mb/mb010220Nikka_Costa
    MJ COLE  |  http://www.ministryofsound.co.uk/asx/radio/mjcole.asx
    Sugar Soul  |  http://www.SugarSoul.com
    

    tokyo|konnect is | Soul Sound Lounge http://groups.yahoo.com/group/TK



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