From: cnwill42@netscape.net
Date: Thu Dec 19 2002 - 18:47:39 CET
You know, I've been waiting a long time for this subject (industrial) to come up. I've been desperately seeking a CD by Caberet Voltaire (mentioned in this thread) "Code". Long out of print. If anyone has a copy that they are willing to part with, please e-mail me privately. I will pay a fair price for it.
Happy Holidays Y'all,
Charles
Lynne d Johnson <lynnedjohnson@earthlink.net> wrote:
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>
>Message: 22
> Date: Wed, 18 Dec 2002 22:08:27 -0500
> From: Lynne d Johnson <lynnedjohnson@earthlink.net>
>Subject: Re: [acid-jazz] outing
>
>
>
>Thank you all for the education.
>
>Peace,
>Lynne
>
>
>From: "Stimp" <stimp@aei.ca>
>Date: Mon, 16 Dec 2002 03:21:14 -0500
>To: "BRIAN" <bbaltin@earthlink.net>, "David Bassin" <bassyd@pacbell.net>,
>"Acid Jazz ml - UCSD" <acid-jazz@ucsd.edu>
>Subject: Re: [acid-jazz] outing
>
>
> The term "industrial", as far as I know, was termed by Throbbing
>Gristle, but I can't rememember how the term was coined. I have a feeling
>it had something to do with "Industrial Records", the record label which
>they launched in order to release their sonic collages and experiments.
>Personally, I'd add bands like Skinny Puppy, Suicide, Ministry, Revolting
>Cocks, Can, Kraftwerk etc... to the list of industrial pioneers. Check out
>www.allmusic.com , it's all there.
>
> Many seem to pick Throbbing Gristle as the "true" pioneers of the modern
>industrial sound (I'd argue that point), probably more because they coined
>the term "industrial music" than for any other legitimate reason. In any
>case, if this is the case and we were to take what they were doing in the
>mid-70's, I'd go back MUCH further to contemporary Classical composers like
>Stockhausen, Varese, Xenakis, Messaien, Boulez, Nono, Morricone's Grupo
>Improvisazione, etc.... As far as I'm concerned, any true fan of electronic
>music (i.e. not the trendsetter types concerned with filling their "cool"
>quotient) should be at least somewhat familiar with early electronic music
>pioneers like the ones mentioned above. Listening to early electronic tape
>music and understanding the history will only make you further appreciate
>the roots of what the new guys are laying down, and how far electronic music
>has come.
>
> I mean, there's nothing more industrial sounding that Iannis Xenakis'
>"Persepolis", and that was recorded in 1971! Give it a listen, it's well
>worth it. Asphodel records rereleased this excellent recording on cd just
>this year, and it's definitely going to be making my albums of the year
>list. They actually packaged the original 1971 performance as a double cd.
>The second cd consists of remixes of "Persepolis" done by artists like
>Merzbow, Otomo Yoshihide, Zbigniew Karkowski, Francisco Lopez, and others.
>Personally, I find the remix cd rather weak, but the Xenakis performance is
>essential listening, especially for fans of Industrial music et.al.
>
>Stimp
>----- Original Message -----
>From: "BRIAN" <bbaltin@earthlink.net>
>To: "David Bassin" <bassyd@pacbell.net>; "Acid Jazz ml - UCSD"
><acid-jazz@ucsd.edu>
>Sent: Monday, December 16, 2002 2:12 AM
>Subject: Re: [acid-jazz] outing
>
>
>> Yes, the term industrial was bastardized to connote only industrial disco
>> around 86 with Wax Trax's success, but before that it was the experimental
>> (and, yes, occasionally harsh) electronics of groups like Throbbing
>Gristle,
>> SPK, the early Cabaret Voltaire, Ludus, 23 Skidoo, This Heat, and
>countless
>> other groups.
>> That said, plenty of the industrial groups were doing completely
>> danceable music that wasn't about nondescript syncopated beats at all, but
>> very organic "white boy funk." Groups like 23 Skidoo, Ludus, the Pop
>Group,
>> Rip Rig and Panic, et. al. , were at least as responsible for acid jazz
>and
>> its offshoots as Style Council, Working Week, and all the others that
>people
>> automatically mention.
>>
>> Brian Baltin
>>
>> On 12/15/02 10:19 PM, "David Bassin" <bassyd@pacbell.net> wrote:
>>
>> >> Oh, if we want to talk industrial...shouldn't we go back to Nitzer Ebb,
>> >> Bronski Beat? Or does it go back even further?
>> >
>> >
>> > Bronski Beat???? Jimmy Somerville and Co. were the furthest thing
>> > from industrial music you could name. They were pure disco in the
>> > '80s sense of the word. As for Nitzer Ebb, they were
>> > industrial-lite.....
>> >
>> > DB
>> >
>>
>>
>
>
>
>
>
>
>[This message contained attachments]
>
>
>
>___________________________________________
>
>--MS_Mac_OE_3123146451_509049_MIME_Part
>Content-type: text/html; charset="US-ASCII"
>Content-transfer-encoding: quoted-printable
>
><HTML>
><HEAD>
><TITLE>Subject: Re: [acid-jazz] outing</TITLE>
></HEAD>
><BODY>
><BR>
>Message: 22<BR>
> Date: Wed, 18 Dec 2002 22:08:27 -0500<BR>
> From: Lynne d Johnson <<FONT COLOR=3D"#0000FF"><U>lynnedjohns=
>on@earthlink.net</U></FONT>><BR>
>Subject: Re: [acid-jazz] outing<BR>
><BR>
><BR>
><BR>
>Thank you all for the education.<BR>
><BR>
>Peace,<BR>
>Lynne<BR>
><BR>
><BR>
>From: "Stimp" <<FONT COLOR=3D"#0000FF"><U>stimp@aei.ca</U></FONT=
>>><BR>
>Date: Mon, 16 Dec 2002 03:21:14 -0500<BR>
>To: "BRIAN" <<FONT COLOR=3D"#0000FF"><U>bbaltin@earthlink.net</U=
>></FONT>>, "David Bassin" <<FONT COLOR=3D"#0000FF"><U>bassyd@p=
>acbell.net</U></FONT>>,<BR>
>"Acid Jazz ml - UCSD" <<FONT COLOR=3D"#0000FF"><U>acid-jazz@ucsd=
>.edu</U></FONT>><BR>
>Subject: Re: [acid-jazz] outing<BR>
><BR>
><BR>
> The term "industrial", as far as I know, was t=
>ermed by Throbbing<BR>
>Gristle, but I can't rememember how the term was coined. I have a fee=
>ling<BR>
>it had something to do with "Industrial Records", the record labe=
>l which<BR>
>they launched in order to release their sonic collages and experiments.<BR>
>Personally, I'd add bands like Skinny Puppy, Suicide, Ministry, Revolting<B=
>R>
>Cocks, Can, Kraftwerk etc... to the list of industrial pioneers. Chec=
>k out<BR>
>www.allmusic.com , it's all there.<BR>
><BR>
> Many seem to pick Throbbing Gristle as the "true" pi=
>oneers of the modern<BR>
>industrial sound (I'd argue that point), probably more because they coined<=
>BR>
>the term "industrial music" than for any other legitimate reason.=
> In any<BR>
>case, if this is the case and we were to take what they were doing in the<B=
>R>
>mid-70's, I'd go back MUCH further to contemporary Classical composers like=
><BR>
>Stockhausen, Varese, Xenakis, Messaien, Boulez, Nono, Morricone's Grupo<BR>
>Improvisazione, etc.... As far as I'm concerned, any true fan of elec=
>tronic<BR>
>music (i.e. not the trendsetter types concerned with filling their "co=
>ol"<BR>
>quotient) should be at least somewhat familiar with early electronic music<=
>BR>
>pioneers like the ones mentioned above. Listening to early electronic=
> tape<BR>
>music and understanding the history will only make you further appreciate<B=
>R>
>the roots of what the new guys are laying down, and how far electronic musi=
>c<BR>
>has come.<BR>
><BR>
> I mean, there's nothing more industrial sounding that Iannis X=
>enakis'<BR>
>"Persepolis", and that was recorded in 1971! Give it a list=
>en, it's well<BR>
>worth it. Asphodel records rereleased this excellent recording on cd =
>just<BR>
>this year, and it's definitely going to be making my albums of the year<BR>
>list. They actually packaged the original 1971 performance as a doubl=
>e cd.<BR>
>The second cd consists of remixes of "Persepolis" done by artists=
> like<BR>
>Merzbow, Otomo Yoshihide, Zbigniew Karkowski, Francisco Lopez, and others.<=
>BR>
>Personally, I find the remix cd rather weak, but the Xenakis performance is=
><BR>
>essential listening, especially for fans of Industrial music et.al.<BR>
><BR>
>Stimp<BR>
>----- Original Message -----<BR>
>From: "BRIAN" <<FONT COLOR=3D"#0000FF"><U>bbaltin@earthlink.net<=
>/U></FONT>><BR>
>To: "David Bassin" <<FONT COLOR=3D"#0000FF"><U>bassyd@pacbell.ne=
>t</U></FONT>>; "Acid Jazz ml - UCSD"<BR>
><<FONT COLOR=3D"#0000FF"><U>acid-jazz@ucsd.edu</U></FONT>><BR>
>Sent: Monday, December 16, 2002 2:12 AM<BR>
>Subject: Re: [acid-jazz] outing<BR>
><BR>
><BR>
>> Yes, the term industrial was bastardized to connote only industrial di=
>sco<BR>
>> around 86 with Wax Trax's success, but before that it was the experime=
>ntal<BR>
>> (and, yes, occasionally harsh) electronics of groups like Throbbing<BR=
>>
>Gristle,<BR>
>> SPK, the early Cabaret Voltaire, Ludus, 23 Skidoo, This Heat, and<BR>
>countless<BR>
>> other groups.<BR>
>> That said, plenty of the industrial groups wer=
>e doing completely<BR>
>> danceable music that wasn't about nondescript syncopated beats at all,=
> but<BR>
>> very organic "white boy funk." Groups like 23 Skidoo, Ludus,=
> the Pop<BR>
>Group,<BR>
>> Rip Rig and Panic, et. al. , were at least as responsible for acid jaz=
>z<BR>
>and<BR>
>> its offshoots as Style Council, Working Week, and all the others that<=
>BR>
>people<BR>
>> automatically mention.<BR>
>><BR>
>> Brian Baltin<BR>
>><BR>
>> On 12/15/02 10:19 PM, "David Bassin" <<FONT COLOR=3D"#0000F=
>F"><U>bassyd@pacbell.net</U></FONT>> wrote:<BR>
>><BR>
>> >> Oh, if we want to talk industrial...shouldn't we go back to N=
>itzer Ebb,<BR>
>> >> Bronski Beat? Or does it go back even further?<BR>
>> ><BR>
>> ><BR>
>> > Bronski Beat???? Jimmy Somerville and Co. were the furthest thing=
><BR>
>> > from industrial music you could name. They were pure disco in the=
><BR>
>> > '80s sense of the word. As for Nitzer Ebb, they were<BR>
>> > industrial-lite.....<BR>
>> ><BR>
>> > DB<BR>
>> ><BR>
>><BR>
>><BR>
><BR>
><BR>
><BR>
><BR>
><BR>
><BR>
>[This message contained attachments]<BR>
><BR>
><BR>
><BR>
>___________________________________________
></BODY>
></HTML>
>
>
>--MS_Mac_OE_3123146451_509049_MIME_Part--
>
>
>
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