Anyone interested in licencing, fair use or sampling should check
out the info at
http://www.superswell.com/samplelaw/samplelawmain.html
tom
On 19 May 2002, at 22:20, Jason Jasberto Batog wrote:
Date sent: Sun, 19 May 2002 22:20:46 -0600
From: Jason Jasberto Batog <jasbat@shaw.ca>
Subject: Re: ascap/bmi/riaa/radio and webcasts
To: Acid Jazz Mailing List <acid-jazz@ucsd.edu>
> on 5/19/02 8:13 PM, sammy at sammy@zxvf.net wrote:
>
> > hi. i'm not going to attempt to answer your question directly,
> > but here is a very informational piece written by Jamie Zawinski,
> > proprietor of the latest installment of san francisco's DNA Lounge
> > nightclub. it talks about copyrights, licensing, royalties, and
> > attempts to dissect how and why ASCAP, BMI and the RIAA are nobody's
> > best friend.
>
> thanks for this link, i was aware of this practice BUT not to the
> extent of how these 'music publishers' get their way. do you HAVE to
> work with a music publisher to get your music out in the community?
> sometimes i see that artists have copyright control on their
> recordings. i figured that this must mean, they didn't publish it but
> are the sole owners of the recording? am i right?
>
> All the best,
> Jason
> JJB/opSN
>
> "I got into a fight one time with a really big guy and he said, 'I'm
> going to mop the floor with your face.' I said 'You'll be sorry.' He
> said 'Oh yeah. Why?' I said, 'Well, you won't be able to get into the
> corners very well.'" -Emo Phillips
>
>
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